Jealous Poché

Jealous Poché continues my preoccupation with an architecture in which the line between occupied object and occupying subject loses clarity. In this territory we can examine not only the extent to which we subjectively make our surroundings but also the degree to which the objects in our built world construct us as subjects. My attraction to the endoscopic imaging key to Jealous Poché is this technology’s representation of the interior spaces of the human body and the similarity of its inherent camera movement to a computer-generated “architectural fly-through.”